• Garden


    Gordon Robichaux is pleased to present Garden, a site-specific installation by Elisabeth Kley and Tabboo!. The exhibition is a continuation of the artists’ fifteen-year relationship of shared inspiration and collaboration that includes set design and props for Tabboo!’s stage productions and videos, and photographs of his impromptu performances (shot and edited by Kley between 2004 and 2009) that Kley used as source images for her drawings during that time.

    The installation is inspired by the immersive garden environment in Tabboo!’s home-studio, Kley’s engagement with Roman wall painting and interiors, and their shared interest in theater design, still life, and floral and vegetal motifs. The gallery will be transformed into a lush garden with functioning ceramic fountains, stools, and plant pots surrounded by wall murals and paintings of decorative architecture, vegetation, birds, and insects.

  • Canada b/w Drag City

    Canada b/w Drag City

    The iconoclasts at CANADA do it their way, with their own tribe of talents that, for better or worse, do for art what SCC's next-door neighbors/alter-egos, the freaks of Drag City do for music. For this exhibit, curator Dan Nadel has brought a generous slice of the Canada pie from their Manhattan hideaway, featuring a brace of their veteran names and a few up-and-comers: Katherine Bernhardt, Katherine Bradford, Joe Bradley, Sarah Braman, Matt Connors, Jason Fox,Daniel Hesidence, Marc Hundley, Xylor Jane, Elisabeth Kley, Sadie Laska, Lily Ludlow, Michael Mahalchick, Luke Murphy, Scott Reeder, Tyson Reeder and Wallace Whitney. It's a meeting of post-DIY, quasi-socialist mindsets wherein no organization is more than the sum of the work of its artists - clearly a priority for both CANADA and Drag City in their short-but-impact-filled lifetimes. As the show's title hints, there are music undercurrents in the art being showed - but as rules were made to broken, this isn't a hardline stance. More like a soft slide into the wonders of the visual.

    Soccer Club Club
    2923 North Cicero Avenue
    Chicago, IL 60641

    September 20 - October 18, 2019

    Monday - Friday 10 - 6

    poster by Tyson Reeder

  • Show of Shows, currently on view in Marseille, France in the Cité Radieuse by Le Corbusier

    Show of Shows, currently on view in Marseille, France in the Cité Radieuse by Le Corbusier
  • Free Association

    Free Association
  • Monograph published by Pre-Echo Press, with essays by Paul P. and Edward Leffingwell
    Book launch Thursday May 31 6-8 at Karma Books
    136 East 3rd Street, New York, NY

  • 100 Sculptures in Paris

    One hundred small sculptures by over one hundred international artists, curated by Todd von Ammon and Joseph Ian Henrikson, the 2nd edition opens in Paris. The show will remain on view for one week and will include a vernissage / opening reception: Thursday, May 16 from 6-8, 18 Rue Dussoubs, 75002 Paris, France

  • Window installation at Rosenwald-Wolf Gallery, University of the Arts
    333 South Broad Street
    Philadelphia, PA
    visible from street until June 16
    closing reception June 7, 5-7

  • Elisabeth Kley and Sanou Oumar
    Organized by Matt Connors

    April 14 through May 26, 2019
    Opening Reception: Sunday, April 14. 4-6 PM

    South Willard
    970 N Broadway #205
    Los Angeles CA 90012
    Telephone (323) 653-6153
    info [at] southwillard.com

  • Lecture at Cranbrook Academy of Art

    Wednesday, 13 March, 2019
    6:00 pm - 7:00 pm

    Cranbrook Art Museum
    39221 Woodward Ave.
    Bloomfield Hills, MI 48304 United States


  • Notebook
    Curated by Joanne Greenbaum
    February 9 - March 31, 2019
    Opening reception: February 9, 6 - 8 pm

    56 Henry Street
    (between Market and Catherine)
    Chinatown, NYC

    Gallery Hours:
    Thursday – Sunday 12:00 – 6:00pm, and by appointment

    56 HENRY is pleased to present Notebook, an exhibition curated by Joanne Greenbaum. Comprised of over 70 works, ranging from lists and diagrams, to small drawings and torn out sketchbook pages, Notebook showcases an index of items culled from artists’ processes
    By prompting artists to submit one “notebook drawing,” or work that they, “would never show to a dealer or pull out during a studio visit,” Greenbaum has created a unique context for works that were not meant to surface from the studio; Here, artists’ forgotten pages, afterthoughts, and sentimental treasures are put on display. The resulting collection offers a glimpse into the messy, candid, scrappy, witty, and seductive range of thought that is accumulated in the process of making.

    Curated by Alexander Gorlizki
    6th December 2018 – 31st January 2019

    Joost van den Bergh
    24 Georgian House
    10 Bury Street
    London, GB SW1Y 6AA

    A Concentration of Power aims to explore forms of power expressed in small scale. Images and objects that depict symbols, physical gestures and icons that suggest potency are presented alongside ceremonial objects and talismans created to achieve transformation though ritual and contemplation. Some of the objects and drawings are created with such focus and concentration that they appear to be imbued with their own latent power.

    With contributions from:

    Matt Connors / Alison Wilding / Conor Wilson / Jackie Ellcock / Karun Thakar / Bone figure, Afghanistan / Lucy Heyward / Madeline Fenton / Kullu Manali Meteorite / Mahali O’Hare / Mark Dunhill & Tamiko O’Brien / Mujeeb Bhatti / Coptic icon, Ethiopia / Nathalie de Leval / Paul McNeil / Wood clapper (dibu), Bakongo tribe / Roger Ackling / Sarah Woodfine / Snowden Flood / Colter Jacobsen / Egyptian fish-tailed knife / Alexander Gorlizki / Elisabeth Kley / Eric Himmel / Eyal Danieli / Hugo Guinness / John Borowicz / Ken Tisa / Keris Salmon / Larry Krone / Matt Tiernan / Oliver Herring / Peter Krashes / Ruth Marten / Sanou Oumar / Siobhan Liddell / Egyptian faience amulet / Frank Walter / Venetian & Jatim glass beads / Ashanti Gold Ring / James Castle / Leonhard Fink / Leopold Strobl / Mortar and Pestle, Northern California Ohlone/Costonoan / Philip King / Hans Sebald Beham / Female steatopygous idol / Jürgen Tauscher / Dom Sylvester Houédard / Badrinath Pandit / Ludmila Mueller Leal / Pre Columbian Stone Axe / Heidi Gustafson

  • Inaugural Group Exhibition

    Gavlak Palm Beach
    11/10 - 12/22 2018
    340 Royal Poinciana Way, Ste M307, Palm Beach, FL 33480

  • work on view at FIAC 2018 in CANADA booth I.I25 10/18-10/21 (image with works by Denzil Hurley and Marc Hundley)

  • 10 years/100 sculptures
    anonymous gallery
    Córdoba 125, ​Colonia Roma Norte, CDMX​ 06700
    Mexico City
    curated by Todd von Ammon and Joseph Ian Henrikson
    September 21 - November 3 2018

  • This image, called Swords, is available as t shirt or tote bag at Pierogi as part of Power Ts 2018. All shirts and bags are $45 to benefit Swing Left toward taking back the House in 2018. The event is from August 7-10 and there is a reception at gallery August 7 from 5-9. Shirts and bags can also be ordered online:

    Pierogi Gallery
    155 Suffolk Street
    New York, NY 10002

  • Elisabeth Kley
    Independent NY

    March 8-11, 2018

    Spring Studios, 6th Floor
    50 Varick St
    New York NY

  • Painting

    Group Show
    Gavlak Palm Beach
    February 17 – April 21, 2018

    249B WORTH AVE., PALM BEACH, FL 33480
    T +1 561.833.0583

  • A Page from My Intimate Journal (Part I): Opening February 11, 2018

    Math Bass, Hawkins Bolden, Jenni Crain, Guy de Cointet, Matt Connors, Lucky DeBellevue, Florence Derive, Liz Deschenes, Shannon Ebner, Melvin Edwards, Vincent Fecteau, Denzil Forrester, James Hoff, Otis Houston Jr., Marc Hundley, Miles Huston, Shirley Jaffe, Caitlin Keogh, Elisabeth Kley, Wayne Koestenbaum, Siobhan Liddell, Magic Markings, Darinka Novitovic, Sanou Oumar, Matt Paweski, Bernard Piffaretti, Howardena Pindell, Charlotte Posenenske, Michael Queenland, Collier Schorr, Kerry Schuss, Amy Sillman, Allison Smith, Gwen Smith, Martine Syms, Tseng Kwong Chi, Karlheinz Weinberger, Frederick Weston, Martin Wong, B. Wurtz and Amy Yao.

    Gordon Robichaux
    41 Union Square West, #925
    (Enter at 22 East 17th Street)
    New York, NY 10003

    Friday-Sunday 12:00 - 6:00pm
    and by appointment

    (T:) 646-678-5532
    (E:) gordonrobichaux@gmail.com

    image: Guy de Cointet, A Page from My Intimate Journal (Part I)-–, 1974

  • Design Miami

    Design Miami

    work on view at Design Miami 2017 with Pierre Marie Giraud
    Booth G12 December 6-10, Meridian Avenue and 19th Street
    Miami Beach

  • Piece installed in Beth DeWoody's Bunker

    Piece installed in Beth DeWoody's Bunker

    Beth DeWoody's Bunker, a 20,000-square foot building at 444 Bunker Road in West Palm Beach, will open as a place to exhibit her modern and contemporary art collection with a by-invitation reception Saturday December 2. After that it will be open by appointment as a private exhibition space. For an appointment to see the art, contact sandra@brdart.com or call 582-4574.

  • FOTG at Mitchell Algus Gallery

    FOTG at Mitchell Algus Gallery

    Harold Stevenson at the grand première mondiale of The New Adam, Galerie Iris Clert, Paris, 1963 (photo by André Morain)

    The first of four shows marking the gallery's first 25 years

    December 2, 2017–January 7, 2018
    Opening reception: Saturday December 2, 6–8 pm
    violin performance by Walter Steding at 7 pm

    A gallery is a social organism.

    The Mitchell Algus Gallery opened in November of 1992 with an exhibition of Harold Stevenson's The New Adam (1962), now in the collection of the Guggenheim Museum. FOTG is the first of four exhibtions marking the gallery's first quarter century. It will be followed by three shows, of selected abstract, representational and conceptual work, in the new year.

    FOTG includes work by
    Gene Beery, Dan Burkhart, Neke Carson, Mathew Cerletty, Whitney Claflin, Arthur Cohen, Colette, Magalie Comeau, Tom Evans, Scott Grodesky, Matt Hoyt, Mary Jones, E’wao Kagoshima, Tillman Kaiser, Dennis Kardon, Steve Keister, Elisabeth Kley, Jill Levine, Megan Marin, Juanita McNeely, Dave Miko, Eric Mitchell, Morgan O'Hara, Mark Prent, James Rauchman, David Reed, Ira Richer, Walter Robinson, Julia Rommel, Nicolas Rule, Francis Lisa Ruyter, Kerry Schuss, Stuart Servetar, Mark Sheinkman, Walter Steding, Harold Stevenson, Taro Suzuki, John Tremblay, Kiyoshi Tsuchiya, Arturo Tulinov, Alan Turner, Jeff Way, Mie Yim and John Zinsser

    and contibutuions by writers/curators
    Adrian Dannatt, Bob Nickas, Jay Sanders, Stuart Servetar and Olivia Shao (contributing George Brecht)

  • the form is stone, the dress is rain
    Curated by Rafael Sánchez

    Through October 15


    .... As colleagues with roots between New York and New England, these nine artists gathered represent a family of peers, each maintaining strong individual studio practices. They are informed as well by shared histories and collaboration. Intimate and often playful connection to materials, methods, and the confluence of art and theatre are likewise held in common. While symbols and forms serve as guides and unifiers, the show proposes an interplay of these narratives as both points of origin and as points of departure.

    "the form is stone, the dress is rain" is by May Swenson, from The Spine and the Cage, 1958 - Courtesy of the Literary Estate of May Swenson.

    AMP Gallery
    432 Commercial St, Provincetown MA 02657 | East End | 646.298.9258

  • Gordon Robichaux Print Portfolio Launch

    Gordon Robichaux Print Portfolio Launch

    Gordon Robichaux
    Print Portfolio Launch with a Performance by Dean Spunt

    Edition of 8 prints by 8 artists: Leilah Babirye, Lucky DeBellevue, Elisabeth Kley, Siobhan Liddell, Monique Mouton, Dean Spunt, Tabboo! and Ken Tisa

    Saturday, Sept 16th 3:00 — 6:00 pm
    Dean Spunt Performance at 5:00 pm

    Gordon Robichaux
    41 Union Square West #925
    (Enter at 22 East 17th Street)

  • Palampore for Maharam Digital Projects

    Palampore for Maharam Digital Projects

    Palampore originated as a series of twenty-one paintings of tree of life imagery interpreted from Palampore—a type of hand-painted, mordant-dyed cloth common in India during the 18th and early 19th centuries that was designed primarily for the European export market. Using watercolor paint on Japanese paper, each panel offers a different interpretation of the symbol in both fantastical detail and loose, gestural motifs.
    Installation is sized, priced and produced on a project-specific basis.

  • CANADA Friends & Family Popup/Elisabeth Kley Ceramic Anthology

    CANADA Friends & Family Popup/Elisabeth Kley Ceramic Anthology

    August 16-18, 2017 @ CANADA
    Opening reception August 17, 4:30 - 8:30 PM

    Featuring works by CANADA artists, staff, friends, and family,
    plus an installment and sale of Katherine Bernhardt's
    Magic Flying Carpets of the Berber Kingdom of Morocco, and an Elisabeth Kley Ceramic Anthology.

    333 Broome ST
    NY NY 10002
    212 925 4631


  • The First Ever & Only East Hampton Biennial
    curated by Woobie Bogus and Adrianne Rubinstein
    July 7, 8, 9 2017, 1-8 PM
    Opening reception, Saturday July 8, 4-8 PM
    The Barn: East Hampton, NY

    RSVP for address and directions; firsteverandonlyEHB@gmail.com

  • Flaming June VII (Flaming Creatures)
    June 8 – August 5, 2017

    Lisa Anne Auerbach, Judie Bamber, Amy Bessone, Andrew Brischler, Zoe Buckman, Willie Cole, Mike Davis, Lecia Dole-Recio, Judith Eisler, Alexandra Grant, Keith Haring, David Haxton, Nir Hod, Timothy Horn, Elisabeth Kley, Kelly Lamb, Bovey Lee, Michael Manning, Maynard Monrow, David Mramor, Yuval Pudik, Dean Sameshima, Tabboo!, Betty Tompkins, Marnie Weber, T.J. Wilcox, and Rob Wynne.

    Gavlak Los Angeles
    1034 N. HIGHLAND AVE., LOS ANGELES, CA 90038

  • NUT is an all women’s publication devoted to celebrating and fostering the female artist community. 57 works on paper by women artists compose the first volume.
    Through the donation of 100% of book sale proceeds to the Global Fund for Women we hope to help alleviate women’s adversity in a small way.
    In addition to the initial press of 300 volumes available for purchase at the gallery, 50% of proceeds from artwork sales will also benefit the Global Fund for Women.

  • Marina Adams, Etel Adnan, Josh Blackwell, Katherine Bernhardt, Katherine Bradford, Sarah Braman, Matt Connors, Bella Foster, Grandma Moses, Nancy Haynes, Denzil Hurley, Xylor Jane, Karen Kilimnik, Elisabeth Kley, Sadie Laska, Sherrie Levine, Lily Ludlow, Mary Manning, Erin O'Donnell, Elena Pankova, Noam Rappaport, Martha Rosler, David Benjamin Sherry, Sue Tompkins...Organized by Marc Hundley

    Booth A2
    Frieze New York
    Randall's Island
    May 4-7, 2017

    MARCH 24 - APRIL 21, 2017

    Brendan Burzinski, David Goodman, Elisabeth Kley, Jessie Holmes, Leslie Baum, Rico Gatson, Russel Maltz, Sarah Goffstein, Tommy Mintz, Vadis Turner, William Corwin

    Geary Contemporary
    185 Varick St.
    New York, NY 10014

  • work included in auction to benefit Hillary Clinton

    work included in auction to benefit Hillary Clinton
  • Two Years of Looking
    curated by Erik Hanson
    July 15 - August 28, 2016
    New Art Projects

  • Mayest
    05/01/2016 - 05/29/2016
    curated by Katherine Aungier
    Orgy Park
    Brooklyn NY

  • Jack Pierson: Tomorrow’s Man

    April 21-July 1, 2016

    Sheppard Contemporary
    Church Fine Arts Complex
    University of Nevada

    University Galleries is pleased to announce a new exhibition curated by internationally renowned artist Jack Pierson. First conceived as a publication, the third volume of which was recently released, Tomorrow’s Man has grown into a three dimensional iteration of the bulletin-board, idea mash-up found in the publication and includes many of the artists Pierson finds most interesting and thought provoking. Inspired by a midcentury male physique magazine of the same name, the exhibition Tomorrow’s Man includes artworks by Michael Bilsborough, Stephen Tashjian (Tabboo!), Laurel Sparks, Richard Tinkler, Florence Derive, Chris Bogia, Bryson Rand, David Dupuis, Jeff Davis, Andrea Zittel, Cali DeWitt, Shari Elf, Zak Arctander, Kembra Pfahler, Joe Sinness, Paul Sepuya, Elisabeth Kley, and Peter Fend.

  • Ozymandius

    January 9 - February 14, 2016
    New York, NY

    Canada is pleased to present "Ozymandias" a one-person exhibition by Elisabeth Kley. Ms. Kley's first solo show with the gallery will include works on paper, a wall painting, and ceramic pieces that refer to Weiner Werkstatte, Studio Craft and the history of excessive decoration.

    Kley takes her title from the famous Shelley poem of the same name about a ruined monument to a long forgotten despot. The poem is set in an unnamed strange locale and its themes include hubris and the inevitable decline of empire. It may seem apt, given the current political climate, to consider history as a series of blustery strongmen who naturally fall into the abyss of time. Kley, on the other hand, offers joy instead of pontification. Here we have unabashedly extravagant designs both mysterious and inviting, weightless manifestations of the past.

    Kley’s current black and white ceramic vessels and drawings are inspired by Islamic, Byzantine and Asian historical ornaments and can be described as somewhere between all-over paintings and decorative sculptures. Repeated bold calligraphic patterns are filled with life giving symbols and designs including flower petals and leafy tendrils.

    The vessels are made from hand rolled coils and fired in an electric kiln in her studio. Decorations are applied using homemade underglazes with wax resist and sgraffito. The artworks are not only beautiful to look at but are also made with an artisan’s care and ingenuity. Dripping glazes reveal an appealing unfussy temperament, and forms sometimes seem to imply bulbous fruits like pomegranates or flowers. Although she sometimes renders traditional motifs directly, Kley’s works are rarely strict copies. Instead, they are personal inquiries into visually pleasurable shapes, colors and patterns. Each piece is unique, but also seems to be part of a larger whole.

    November 21, 2015 - January 17, 2016
    Catinca Tabacaru Gallery
    New York, NY

  • Ten Year Anniversary
    GAVLAK Los Angeles
    November 6 – December 23, 2015

  • Harum Scarum

    Florence Derive * Elisabeth Kley * Jack Pierson * Richard Tinkler
    August 21 - September 10, 2015
    Albert Merola Gallery
    Provincetown, MA

  • Summer Group Exhibition
    July 25 – August 29, 2015
    Gavlak Los Angeles East Gallery

  • Gavlak Palm Beach Summer Show 2015
    July 10 – September 30, 2015

  • Inside the Episode
    curated by Jack Pierson
    June 20 - July 26, 2015
    LAUNCH F18
    New York, NY

  • translucent threads of dawn

    Regina Rex
    New York, NY

    6/14/2015- 7/26/2015

    Elisabeth Kley
    Conrad Ventur

    “Mentally, perhaps she was already three parts glass. So intense was her desire to set up a commemorative window to herself that, when it was erected, she believed she must leave behind in it, for ever, a little ghost. And should this be so, then what joy to be pierced each morning with light; her body flooded through and through by the sun, or in the evening to glow with a harvest of dark colours, deepening into untold sadness with the night….What ecstasy! It was the Egyptian sighing for his pyramid, of course.”
    -Ronald Firbank, Vainglory

    Translucent threads of dawn brings together a selection of Elisabeth Kley's ceramic cages with Conrad Ventur's photographs of the underground film star and performer Mario Montez. Kley's flamboyant, yet menacing cages incorporate a range of ornamental motifs--from Chinese and Persian to the Victorian era. The exuberant sheen of the colored glazes adorns only the outside of each cage leaving the interior with a rough, raw clay surface, creating two visual worlds within one object. While the cage is inherently an object of exclusion, in Kley's cage's interior and exterior are in constant conversation, creating a complex persona that embraces multiple psychologies of space and display. Ventur's intimate portraits of Mario Montez, who starred in seminal films by Jack Smith and Andy Warhol in the '60s, were made after Montez reemerged into the art world after a 35 year hiatus. Staging scenarios with Montez sometimes dressed as past characters from films such as Smith's Flaming Creatures (1963) and others, Ventur's photographs present a fluid approach to archiving the activity of a timeless performer. For Ventur, Montez is "collaborator, drag mother and gay grandfather—all in one," and like the screen-test (a form that Ventur has also worked with), these images portray a subject whose character cannot be confined by a single identity or static image, but will always transcend the medium through their performative spirit.

  • A Sign of Eternal Beauty

    February 6 - March 7, 2015
    GAVLAK Palm Beach

    GAVLAK Palm Beach proudly presents "A Sign of Eternal Beauty," an exhibition of new works by two accomplished and under-recognized artists, Florence Derive and Elisabeth Kley, showing together for the first time. The show will include paintings, ceramics, and works on paper. The title of the exhibition stems from Jack Pierson's 2013 poem inspired by Derive's paintings and persona, and it unites with Elisabeth Kley's shared dramatic sense of gestural flourish employing shape and color motivated by natural forms. The artists paired here find voice separately represented by a grouping of entirely singular images and sculptures, while simultaneously engaging in a command of expression about repeat pattern and divergence, seasonal change, and the timelessness and power of voluptuous color.

  • Pick One
    1/11/2015- 2/22/2015
    New York, NY, 10002

  • Prophetic Diagrams
    curated by Will Corwin
    October 25- December 19, 2014
    Cheymore Gallery, Tuxedo, NY

  • work included in Tomorrow’s Man 2

    Edited and designed by Jack Pierson and Roger Bywater
    Published by Bywater Bros. Editions, 2014
    112 pages, softcover
    10 x 7.25 inches / 25.4 x 18.4 cm

    ISBN 978-0-9780789-9-7

  • Anthropocene
    July 25 - August 22, 2014
    New York, NY

    curated by Sam Gordon
    June 27 - August 16, 2014
    Andrew Edlin Gallery
    New York, NY

  • NADA New York, May 9-11 2014

    Work on view and available at NADA New York 2014 in booths of Season and Regina Rex.

  • 39 great jones

    Large ceramic sun installed in window at 39 Great Jones Street, May - June 2014 (curated by Ugo Rondinone)

  • Triple Masquerade: Ink Drawings, Vessels, Notebooks

    February 28 - March 30 2014
    Schema Projects
    92 St. Nicholas Avenue
    Brooklyn, NY 11237

  • Claxons at Haunch of Venison NY

    19 JUL - 17 AUG 2012

    Haunch of Venison is pleased to present Claxons, a group show curated by art critic Walter Robinson. The show will feature works by ceramic artist Elisabeth Kley, glass artist John Drury, painter Robert Goldman and Robinson. The exhibition aims to present underrepresented artists with an idiosyncratic sensibility. The title of the show Claxons (or loud horns) refers to the idea that artists create dissonance and cacophony. “It’s about letting oneself be carried along by events rather than trying to steer a clear path,” explained Robinson. “Each artist’s work is disturbed, either through subject matter that focuses on outcasts or through execution of materiality.”
    Kley will present a selection of her painted ceramic pots and drawings that exemplify her interest in drag culture and extravagance. Depicted in vivid colors, her ceramic pieces reference Gothic ornamentation, Islamic, Roman and Byzantium styles, and thus resemble ceremonial vestiges. One highlight is her drawing Large Ethyl Eichelberger that captures the flamboyant essence of American drag performer Ethyl Eichelberger in an elongated and dramatic form.

    550 West 21st Street
    New York, NY 10011

  • The Queen's Feathers

    John Tevis is pleased to present an exhibition of new work by Elisabeth Kley, The Queen’s Feathers, from 7 March through 7 April, 2012.

    The gallery will exhibit six hand-inked prints by Elisabeth Kley. These works are rubbed and printed on Japanese and Thai paper using a series of plates made from Styrofoam into which the artist has drawn, cut and gouged her images of peacocks. Kley’s interest in the spectacular costume of these male animals evolved from her interest in drag as an extreme transformation. Unfolding their tails, peacocks undergo a metamorphosis akin to that of a man who changes his everyday appearance to become a fabulously artificial version of a woman. Designed to theatrically accessorize the domestic interiors of a flamboyant world, the artist’s prints are made for fantasized homes that could belong to the aging dandies she has drawn for years, including Salvador Dali, Erté, Coco Chanel, Elsie de Wolfe, Jack Smith, Ethyl Eichelberger and Candy Darling.

    John Tevis Gallery
    Paris, France

  • Solo exhibition in Tbilisi, Georgia

    Elisabeth Kley
    Peacock and Bottles
    Georgian National Museum, National Gallery
    Tbilisi, Georgia

    November 1 - November 10, 2011
    presented by Nana Kipiani as part of Artisterium IV


    FALL 2011




  • Birdhouses and Birdbaths

    Ceramics by Elisabeth Kley

    October 1 - October 31, 2010
    Le Petit Versailles
    346 East Houston Street at Avenue C

  • alLuPiNiT Vol. 3

    some photos and a transcription of Tabboo!'s the Nightingale are included in
    Tabboo! issue
    Fall/Winter 2009-10
    Vol. 3 $15 SD*

    copies available at Participant Inc 253 Houston St. NYC wed-sun 12-7

    December 4th – January 24th, 2010
    A.M. Richard Fine Art
    Brooklyn, NY

  • Bazvalon: Drawing and Ceramics

    October 13 - December 15, 2009
    Rose Burlingham Projects
    New York, NY

    “Oh help me heaven,” she prayed, “to be decorative and to do right!” Ronald Firbank.

    Bazvalon is an imaginary place invented by Ronald Firbank, the early twentieth century English eccentric, author and aesthete. "Aside from Duchesses, Mr. Firbank has a predilection for water-closets and the more wayward aspects of sex- all treated with the subtlest of subtlety." Firbank is one of Elisabeth Kley’s beloved host of dandies; Jean Cocteau, Salvador Dali, Erte, Elsie de Wolfe, Jack Smith and the drag performance artist Ethyl Eichelberger, who, like Firbanks’ character, St. Laura de Nazi-anzi, were “not born organically good.”

    Guardian angels and guides, whose rare volumes litter Kley’s studio floor along with well-thumbed books on Turkish embroidery, Chinese architecture and the Alhambra Palace in Granada - inspire her highly refined practice. “ There was a pause- just long enough for an angel to pass, flying slowly.”

    Firbank’s titles alone -Vainglory, The Flower Beneath the Foot, The Princess Zoubaroff, Concerning the Eccentricities of Cardinal Pirelli, evoke a carefree, more stylish time. As E.M. Forster said of Firbank, "It is frivolous stuff and how rare, how precious is frivolity!"

  • Drawings in alLuPiNiT

    A drawing of Dali is on the cover (and a drawing of Amanda Lear is inside)
    of alLuPiNiT, a magazine edited by Rafael Sanchez and Kathleen White:

    copies available at Participant Inc 253 Houston St. NYC wed-sun 12-7

    who do you want to be? Vol. 2 $10 SD*

    RATS !!!

  • Solo Exhibition at Momenta Art

    Elisabeth Kley
    January 26 - February 26, 2007

    Momenta is pleased to present Elisabeth Kley's first solo exhibition. This extensive and ambitious exhibition traverses drawing, ceramics, and video to present an exotic world of extravagant personalities and architecture. Pencil and ink collaged portraits, drawn and ceramic pavilions, fountains, and peacocks, and a video of a drag performance combine to construct a baroque, enveloping environment.


    The Aesthetic Gold of a Ravished Spouse of the Godhead

    Review of two books on Forrest Bess, published in Art Journal, Fall 2014

    Essay on Tabboo! published in Tabboo! The Art of Stephen Tashjian

    Very Cute for You, essay by Elisabeth Kley published in Tabboo! The Art of Stephen Tashjian, edited by Lia Gangitano, the first monograph on the legendary underground painter, puppeteer, performer.

    Essay on Tabboo! published in Dead Flowers

    Tabboo!'s Fairy Tale Renaissance, essay by Elisabeth Kley published in Dead Flowers, catalogue of a 2010 exhibition curated by Lia Gangitano at Vox Populi, Philadelphia and Participant Inc., New York.

    Writing for Artnet Magazine 2008 - 2012